InvasiveThoughts.com

October 2007

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ArchiveTable of Contents

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4 Death

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8 Women's Hist & Stories

9 Art of Expression

10 Neither Here Nor There

11 Social Injustice

12 Social Injustice II

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17 From the Streets

18 Abuse

19 Abuse Part II

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Bukowski, Art, and Poetry

Intro and poem by Nicole Marie Moore

Paintings by Lawrence Trujillo

 
Charles Bukowski, poetry, Open All Night

         
          I've been reading Open All Night: New Poems from Charles Bukowski, published posthumously by his late wife Linda Lee in 2000. Mr. Trujillo offered me the book for borrow at the Keller-Rihn Studio in the Blue Star Complex the night we visited for photographs and conversation with artist Stephanie Cmielewski. The first page that fell open held a poem I now can't find because I have read too many of them (at the time it seemed the most perfect poem), but being excited by the words, I willingly took Lawrence's offer.

          Bukowski is a poet I admire, and yet, as a woman, his poetry can be harsh and sometimes difficult to stomach. But, I think what I like most about the poetry, whether brash or abrasive, is the grittiness of its truths. It is simple, straightforward, and a periscope into the wounds and disparaging aperitifs of a poet soul. Perhaps what can grip a woman so adversely by his poetry is that she can too easily imagine herself in the position of the irate screaming girlfriend, prostitute, or live-in he often wrote about; the one who is put off by his dogged dedication to a craft which allows him to easily reject and simultaneously objectify; of his unceasing capture of the man and woman soul who never truly coalesce,

 


who never truly understand one another; of his love affair with a typing machine above and beyond any female; of his simultaneous rejection of and need for women.

Sometimes though, Bukowski idolizes the spirit of a gentle woman, unscarred by the callousness of life (or man) and then he touches on such a delicate truth. He touches, actually, on many delicate truths, even through the images (or perhaps especially through the images) that are fraught with excessive drinking, gambling, and womanizing. And yet, this is what draws and excites his readers.

And the "strangerness" that Bukowski provided to the nameless women of text who spotted his life and poetry held a simmer of sadness in his isolationist expressions of them, but it was also intriguing. Depravity is sometimes intriguing, for awhile, when you are not the one being deprived; when you are not the one made nameless.

I was inspired: The simple, unpretentious insight into the grime of life. And so, I typed out my own piece. This is a poem that came after reading several Bukowski poems. This is not to say that the poem is Bukowski-esk. It is merely to say that it came after reading.


 

What You Tried to Do

by Nicole Marie Moore (inspired by the poetry of Charles Bukowski, 1920–1994)

 

What you tried to do was package me in a life you had created.

The problem was that I didn't fit.

I had edges you couldn't make round,

Corners that stuck out in messy fashion —

And you hate messiness.

 

You introduced me to your wealthy, or beautiful, or artistic friends and expected me to wow them,

But I couldn't wow them because they were strangers I was expected to wow.

You judged me for this.

Your friends probably did too.

 

What you wanted was for me to be like your last.

But I couldn't be.

(I didn't know the lines to the role you had imagined me in.

You forgot to tell me.)

But I kept catching glimpses of the role, after the fact,

After all the facts…

 

What you tried to do was make me your whore

And I was for awhile,

And willingly.

 

What you did was fly me to you

Across ocean's waters,

Then treated me like a stranger, but worse

Because you forgot to be polite.

 

What you did was provide affection from afar and reject me in proximity,

You pronounced and proclaimed to me what I should be and what I had not yet become, for you.

(Your audacity to judge me so harshly still pricks at my skin, at my soul, at the nerves, through my veins.)

 

But what you really did was you could not love me,

Though you tried.

Words mean nothing, you finally said,

After saying so much with them.

 

And we were left with less than nothing.

 


 
 
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