InvasiveThoughts.com

January 2008

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Adieu from our Readers

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AMAZE

1930s Poems by Shirley

Subjective

from Trey Garcia

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from Jackie De Hon

from Duane Korslund

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Fernando E. Flores

Lawrence Trujillo

John Moore

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Jackie De Hon

Trey Garcia

photo by Rob Hunter

A.E. Garza, R.I. Magana

Dario R. Beniquez

John Collard

Anonymous

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Archives

ArchiveTable of Contents

1 Premier Issue

2 Travel

3 Erotica

4 Death

5 Music

6 Looking Back, Ahead

7 Love & Black History

8 Women's Hist & Stories

9 Art of Expression

10 Neither Here Nor There

11 Social Injustice

12 Social Injustice II

13 Anniversary Issue

14 Green Winter

15 Elections Perspectives

16 Books

17 From the Streets

18 Abuse

19 Abuse Part II

20 Audiophile

21 Heart

22 From the Past

23 Community

INVASIVE THOUGHTS STAFF REFLECT ON FIRST YEAR TOGETHER

Henry Miller et Anais Nin


 

 
Invasive Thoughts Questionnaire for Brooke Palmer,
Content Editor:



What are your fondest memories of the first year of creating Invasive Thoughts?


Brooke: Interviewing some of my all-time favorite musicians, such as Sananda Maitreya (formerly Terence Trent D’arby), Fishbone, Corey Glover, Mike Patton, and Tomahawk.

What have you learned from your first year of making Invasive Thoughts? How have you changed?

I’ve learned so many things (to read more in depth about this, see my Letter from the Editor)! Mainly, though, I’ve learned how to work with a group and make creative and personal compromises for the sake of creative cohesion. This is still a work in progress, though (the learning)!
I’ve also learned how to better interview people, to find questions that will get at unique information. I’ve had some uncomfortable moments along the way, though.
Don’t know how I’ve changed, really, except that I now live in Kansas City instead of San Antonio. 

How has your vision for Invasive Thoughts grown or changed during the first year?

Well, I used to have higher expectations regarding readership; I assumed we’d grow a huge following of people who always send us good feedback! I realize that this project is huge and we need more time for promotion but even though we don’t have a huge readership, we have several wonderful, devoted readers who do give us feedback, and many great contributors who make the site worth continuing!

Have there been any funny or embarrassing moments during any of your interviews for IT? Explain
.

When interviewing Duane Denison of Tomahawk, I was sick at the time and my emotions were extremely sensitive. When I called him to begin the interview, the first thing out of my mouth was to call him “Dennis” instead of “Duane.” From there on my confidence went downhill and I was a bit intimidated by the apparent intelligence of Dennison. Furthermore, I was having technical difficulties leading to much pause time while he had to wait for me to type up his responses. Right after hanging up with him, I broke into tears for having such a bad interview and feeling so unprepared. That night, though, I got to interview Robb Chavez of Robbs MetalWorks, in person, and his warmness and sense of humor cheered me up.
A funny moment happened during this same time-frame, when I was sick and not in my right mind. I sent in my email interview questions to Sananda Maitreya, one of my all-time favorite artists ever. A couple days later his PR contact emailed back suggesting I scale my interview down to one page with less than 15 questions. I then looked back over what I’d sent and realized that in a moment of bad judgment, I had sent an email containing an attached 10-page word document filled with questions; and the questions were interspersed with my own random comments and observations. I appeared totally crazy and laughed so hard at my document that I was crying! I then scaled it down dramatically, apologized for my crazy first interview draft, and ended up with an amazing response from SM.

Who has been your most interesting or exciting interviewee/presenter/contributor during the first year of IT?

Again, interviewing Sananda Maitreya was a blessing for me, as was my face-to-face interview with all members of Fishbone. I was very pleased with the interview responses I received from musician Pieta Brown, which were very unusual and had an element of musical supernaturalism. All of our contributions have been exciting to me because they’ve represented such a range of talented people.
 
What would you like for the future of Invasive Thoughts?

Broader/larger readership, funding, and more Invasive Thoughts parties!
 
Any first year regrets?

Not really.
 
What compels you to keep going with Invasive Thoughts every month despite a lack of funding or time?

Many things: a passion for writing, a passion for communicating with others, a passion for helping other artists to realize their potentials and publish their work, a fun working relationship and friendship with the staff (Nicole and Heather), and the ability to interview people I admire.  

What has been your favorite issue/theme to work on?

I loved creating the Music issue, and the Social (In)Justice issues. All of the issues have been fun in their own way.

What has been your favorite issue/theme to read?

I loved how our Adventures in Vegas feature in the Stories and Women’s History Month issue (Issue #8). It represented the works and diversity of us three staff with personal essays, stories, and photos. I loved reading the stories submitted for our Stories issue. The Erotica Issue was also quite entertaining to read.

What has been your most challenging IT task or specific assignment?

Putting together a new issue and publishing it on time is very challenging every month!

What have been your favorite features from contributors?

I love Kelly Creed’s Memoirs of a Female Truck Driver from the Travel issue. To see my complete list of favorite features from the past, visit our Staff Favs From Past Issues page.

Invasive Thoughts 

Questionnaire for Nicole Moore, 

Literary Editor:




What is/are your fondest memory(ies) of the first year of creating Invasive Thoughts?


Some of my fondest memories are linked to the press pass events we have been able to attend. Two of the most exciting for me were the Hillary Clinton rally and the Pieta Brown/Ani DiFranco concert. At the Hillary Clinton rally, Heather Croxton and I, and two site contributors, stood on the bleachers with several top national broadcast stations (CNN, MSNBC, etc.) covering Mrs. Clinton's speech. I have to say that this may have been one of the most exhilarating experiences because the crowd was absolutely frantic with excitement and my heart was about to explode out of my chest with it, too! The four of us were huddled on the edge of one of the bleachers, me transcribing, the others taking photographs. And as I looked behind me I saw an entire row of laptop computers with wires all jumbled together and crossing one another in a frenzy of electrical communication with some 15 newspaper reporters doing exactly the same as me. 


The Pieta Brown/Ani DiFranco concert was a great experience, as well. It was very last minute. Brooke Palmer called DiFranco's press agent and was able to get the passes just hours before her show. As the Panasonic Lumix is kaput, we hurried to meet Brooke's father, the Editor for the Business section of the Kansas City Star, and he let us use his mega-powerful Canon for the event. I couldn't help but smile when Eric Palmer indicated that 500 pictures should be enough (I can go through 500 pics in the flash of an eye, especially at a concert!); and I could have gone through more! So with a little needed direction on high-tech camera use, we drove on to Lawrence, Kansas to Liberty Hall. After assuring a group of hardcore girl fans at the front that I would definitely not block their view, they let me through and I set myself up in the most perfect spot: wedged behind the large floor speakers and the stage. In my little corner, I was unobstructed and un-obstructing; and I had an absolutely perfect view of Ani and the drummer Allison Miller, and off to the right just a little, the bass player and vibraphonist/percusionist. We were allowed to photograph for the first three songs only, but the pics I got look as though an entire concert had taken place in the span of three songs! The emotion, the charisma, the dynamic expressions of Ani were fabulous! And the crowd was packed. 


What have you learned from your first year of making Invasive Thoughts? How have you changed?


I have learned that it takes a lot of time and a very sincere willingness to produce a product with integrity and strength; I have learned that this forum is a door to much possibility; and that possibility will only be as strong or as possible as we are creative enough to envision it. The power is in our hands to make this a respected online forum. The responsibility is ours to seek out fellow artists, writers, musicians, philosophers, special trade virtuosos, and any other serious thinkers in order to broaden our readership, provide greater perspective, and help to foster a creative community. 


How has your vision for Invasive Thoughts grown or changed during the first year?


My vision has only strengthened; my confidence in the site and in the possibilities of this endeavor continue to developed steadily. Mainly, changes in vision have occurred in respect to presentation techniques. As we move forward, we better understand how to present information to our readers. While we are still somewhat wordy in our articles and commentary, we are beginning to look at shorter and more efficient ways of relaying information for the online format. We are learning about the differences in presentation between hardcopy publications and online publications. For example, while the colorful text creates vibrant print copies, it can be difficult for online readers. While people are often willing to read an entire hardcopy article, most online readers want information immediately and in an efficient format. These are the aspects in vision that we are adapting. 


Have there been any funny or embarrassing moments during any of your interviews for IT? Explain.


Funny, no. Embarrassing, a  bit, yes. Scary, heck yes! When the award-winning poet and Virginia Tech professor Nikki Giovanni came to Trinity University's Laurie Auditorium, the university set up a pre-lecture discussion with Giovanni for the media. With all types of preconceptions of what a pre-media discussion would entail (a multitude of cameras, flashes, and reporters) , I found myself instead in a very awkward situation. I had assumed the room would be packed, and so when I entered to find myself completely alone in a small florescent-lit room awaiting Giovanni, I was scared to death! I think of myself as a better listener than an interviewer, and I had assumed I would be able to quietly exist in the back of the room and listen to the discussion. But, as I was the only media person in the room just a few minutes prior to Giovanni's entrance, I was panicked. How horribly embarrassing and awkward it would be for me to carry an entire interview with such an esteemed writer by myself! And I was so poorly prepared. The lecture was a very last minute decision by our staff. We had just come back from our Las Vegas trip and had discovered that this exciting lecture event was planned. I was the only one who could attend the pre-lecture discussion; and unfortunately, I did not know very much about Giovanni, had not read any of her poetry, and was merely excited to get a chance to listen to her words. I quickly exited the room and called and texted several people. "What do I ask her!?" I exclaimed frantically into the phone. And so, with the very few questions I had prepared and a few added questions from a couple supporters, I re-entered the room to find that Giovanni was now present and thankfully, two or three other reporters were too. Giovanni told us many stories about her meeting with Rosa Parks and mentioned a book she had in the works, which just came out last week and was covered by NPR: Hip Hop Speaks to Children: A Celebration of Poetry with a Beat.


Who has been your most interesting or exciting interviewee/presenter/contributor during the first year of IT?


Some wonderful contributions have been those linked to Luminaria San Antonio and a turn-of-the-year poetry reading event, The Poet and The Poets. In both instances, we received submissions from several extremely talented writers and artists, making the spreads quite expressive. 


What would you like for the future of Invasive Thoughts?


I am excited to see this as a long-term project that will integrate the direction that each of our individual lives will take and also intertwine the concepts and themes that we develop as a group. We are now expanding the coverage from San Antonio to Kansas City. But we have readers from around the country and even outside of the country. I hope that in the future we will be able to provide some hardcopy publications for our readers. And I hope that, as we grow in readership, we gain an even wider group of contributions from all over the world.


Any first year regrets?


Some wasted time spent in disagreement. Our site is run by three very creative women. Two of us can also be extremely, uh, how do you say, particular? One of us is pretty easy-going. I think that being friends and colleagues has demanded that we sometimes draw lines between the two to keep our goals in perspective. But, we are also all learning a lot about working in collaboration and integrating friendship and work ethics. 


See "Strengths and Weaknesses, Hopes and Stressors" in this Anniversary issue, for further reflections among the three of us.


What compels you to keep going with Invasive Thoughts every month despite a lack of funding or time?


A belief in the need and importance of a literary and arts forum. The excitement that comes from producing a new great edition. The pride that I feel when my writing and art, and the writing and art of such talented contributors, is displayed. 


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